For part nine of Crazy Man’s Ju-Ju, Jason Mraz cunningly slipped in his second music video from his latest album, We Sing We Dance We Steal Things. The video is done by “London’s Ju-Ju editor Jennifer Sheridan and co-director Gille Klabin. They dragged Jason and Toca onto a boat on the River Thames in London, to film a very English video to ‘Make it Mine‘. Gnomie got involved and so should you.”
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Jason Mraz’s Make It Mine Video
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Jason Mraz and Coca Cola: Oxy Moron or Perfect Match?
Jason Mraz’s hit single I’m Yours has been featured in an Australian Coca Cola commercial. This has soon stirred up a heated controversy all over the internet. Apparently his diet consists of only all natural and non-processed food thus this endorsement of Coca Cola makes one wonder (Remember Jenna Jameson for PETA but carries a huge leather purse?) . Yet Mraz’s laid back style matches Coca Cola (and Australia!) perfectly. I don’t know, I love Jason Mraz and I love Coca Cola…
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Tagged ad, advertisment, australia, coca cola, coke, commercial, diet, i'm yours, jason mraz, jenna jameson, laid back, leather, match, natural, oxy moron, peta, singer, video
Going Raw for 30 Days
The main goal of this experiment is to see if a vegan diet can reverse diabetes. To do this six McDonalds-munching Americans had to eat 100% vegan live foods for a month. The result? The diet has pretty much reversed or reduced their insulin dependence in only 30 days. The frightening part? The American Diabetes Association announced that “Diabetes is a chronic disease that has no cure” and yet here we are with examples of people getting better with dieting alone.
And yes, this diet is endorsed by Jason Mraz
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Tagged America, dependence, diabetes, diet, documentry, experiment, green, healthy, healthy lifestyle, inspiration, insulin, jason mraz, life, nutrition, obese, raw, raw food, vegan, vegetarian
He Loves Hats and We Love Him: Jason Mraz
In his new album, We Sing, We Dance, We Steal Things, Jason Mraz has continued to refine his writing style from the cheerful guitar-driven pop of his first album. How can people NOT fall in love with a guy who writes such songs? I said it before and I’m saying it again, Mr. Sexuality is gonna break my heart someday.
Mraz strikes a sometimes precarious balance between impassioned love and stolid maturity, and the songs on We Sing, We Dance, We Steal Things reflect that, with the equilibrium constantly in flux. Thick horn explosions ramp up the overindulgent points of love while Mraz’s trademark “man and a guitar” style remains a focal point of the new album. “Make It Mine” and “Butterfly” both scream radio hit, with their playful glitz somewhat masking the singer-songwriter’s kindred respect for love. His duet with Colbie Caillat, “Lucky,” will turn some heads even as the era of the male-female duet seems to have faded significantly in this sort of music. What makes “Lucky” such an outstanding ballad is that both Mraz and Caillat are excellent individually in the verses as well as together on the chorus. The only downside is that Caillat doesn’t necessarily distinguish herself as a guest on this song any more than if any of her contemporaries had taken the spot instead.
“Details in the Fabric” shows Mraz’s acoustic side, as the song tenderly moves along without becoming boring. “Coyotes” takes on almost a club vibe with some vocal distortion and beats, but the brief orchestral interludes serve to make it a really interesting track that may initially throw listeners for a loop. “The Dynamo of Volition” continues the poppy, upbeat delivery that Mraz enjoyed on much of his first album and about half of this new one. “If It Kills Me” is delivered with a charming piano melody, and stands out among the final few songs of the album. WSWDWST is punctuated by a slowly-building closer with “A Beautiful Mess,” which is most definitely worth hanging on until the end for.
Providing the carefree soundtrack to your summer, Jason Mraz combines the playful lyrics he’s always sported with lush instrumentals on his new disc, We Sing, We Dance, We Steal Things. Featuring some of the best songs he’s ever written, it firmly declares that the eclectic and immensely talented musician is here to stay, proven with a huge leap forward in the songwriting and replayability factors of his music. Roll the windows down and belt out the faster songs, and pull that special someone a little closer for the slower ones; you’ll both be hooked on this CD.
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Tagged album, atlantic records, band, beautiful, cd, Colbie Caillat, guitar, hat, i'm yours, james morrison, jason mraz, live, martin terefe, review, sexuality, show, single, we dance, we sing, we steal things
We Sing, We Dance, We Steal Things
Who can forget Jason Mraz’s Geek in the Pink and Wordplay? His up coming album, We Sing, We Dance, We Steal Things is scheduled for release on May 20. The video above is video of “I’m Yours,” one of his new singles from his upcoming album.
In the interview with NewNowNext he talked about his kooky video blog, his collabo with Colbie Caillat and his love for his many gay friends.
Here’s an excerpt:
Why the decision to release three EPs? (WE SING came out March 18th; WE DANCE came out April 15th; and WE STEAL THINGS will be available as part of the iTunes album bundle.)
It’s been so long since I’ve put anything out; I spent the last year-and-a- half just work-shopping the sounds in coffee shops and everything. And I promised a lot of people I was going to make an acoustic project next – and when I came home from London, I had my funkiest album yet. And I thought, OK, I guess an acoustic album would be next.
Then I came up with the idea of the three EPs, and that gave me the opportunity to release the album songs in a stripped-down, raw format … And I just thought it would be fun – to reintroduce ourselves to the world. ‘Cause I hear so much from the fans, We just like it when it’s just you – just you and Toca. And I do too; I love that. Because I spent a lot of my year as an acoustic duo and a funky band; I divided it up equally. It’s a sort of way to divide up this album, to have an acoustic version and a dance-able version.
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